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Eric Bentley’s Brecht-Eisler Song Book:
New CD/Release Concert at Neue Galerie & History of the Project

Our world premiere of A Hanns Eisler Cabaret at Cafe Sabarsky in THE NEUE GALERIE
on Thursday, March 31st, 2016 at 7PM was a huge success.

We are honored that our album is offered on the Neue Galerie online book store.

Coming Soon!
Our spectacular and historic HAPPY BIRTHDAY ERIC BENTLEY! A CENTENNIAL TRIBUTE CONCERT at Town Hall will soon be a film for screenings on arts channels!

“My Brecht Eisler Song Book has been around for years, finding its way into innumerable schools and homes. This success has not been reflected in the record business until now when Karyn Levitt and Eric Ostling have chosen to record a program based on my book...To parts of this program, to celebrate my 100th year, Karyn and Eric will add Songs for Mother Courage by Darius Milhaud.

“Thank you, Karyn, thank you, Eric, from my heart!”

— Eric Bentley

CD cover front

CD Cover (front)
Illustration by Joan Chiverton

CD cover back

CD Cover (back)
Illustration by Joan Chiverton

Roven Records

From her rich collaboration with world-renowned Brecht translator Eric Bentley, soprano-actress Karyn Levitt releases her first album of Brecht-Eisler songs in English translation. Austro-German composer Hanns Eisler created a vast and varied repertory of works, and this album presents a sample of his genius and versatility. Eric Bentley adapted the song texts (which are poems and theater ballads by Brecht) from their original German into English, unlocking Eisler’s starkly beautiful songs for English-speaking audiences. According to critic Irving Wardle, Ms. Levitt “negotiates a passage for these songs into the concert hall, and in place of the gritty style allows the songs to bloom...”

Soprano Karyn Levitt is an Oberlin-trained performer who has appeared at Carnegie Hall and other distinguished venues. Levitt initiated her collaboration with Bentley in 2011 when she wrote a letter to the Theatre Hall of Fame inductee requesting counsel on a pending Weill-Brecht show she was planning. Bentley replied days later suggesting that instead of Weill, Levitt explore the works of a lesser known Brecht composer, Hanns Eisler, obtain Bentley’s 1967 The Brecht-Eisler Song Book, and listen to his 1964 recording Songs of Hanns Eisler. He agreed to meet after Levitt had completed her initial research. Levitt took on the research assignment before meeting with Bentley who ultimately presented her with his unpublished English versions of Hanns Eisler's lieder. Within two weeks, Levitt had recorded a demo of the material for her new mentor, who responded “Bravo, Karyn! Now create a whole show!”

Under Bentley’s guidance, Levitt and pianist Eric Ostling created an evening of Eisler's songs that has earned rave reviews around the country with Irving Wardle of the London Times raving “Karyn Levitt is doing something which, to my ears, is new. My acquaintance with the Eisler songs is limited to (other) singers (who have) a harsh and urgent style, very much a product of the cruel and dangerous times in which the work first appeared. Ms. Levitt's approach, it seems to me, is to negotiate a passage for these songs into the concert hall. In place of the gritty style, she allows them to bloom and be beautiful."

The new CD, “Eric Bentley’s Brecht-Eisler Songbook,” is the culmination Levitt’s journey, under the mentoring of Eric Bentley, into the world and music of Hanns Eisler. “I regard it as a privilege that in our numerous coaching sessions over the years, Eric Bentley has given me his unpublished translations of Eisler songs with words by Goethe, Heine, Eichendorff, Leopardi, Anacreon, Karl Kraus, and even Shakespeare,” says Karyn Levitt. “Eisler’s stylistic range is dazzling. Few composers have used Schoenbergian techniques to such lyrical ends, and few would dispute that Eisler was as important a song composer as Schubert. Brecht and Eisler were one of the 20th century’s great musical partnerships.”

The set list for “Eric Bentley’s Brecht-Eisler Songbook features 21 tracks, half of which have never before been recorded.